[正版]水墨画的黄金法则 国画水墨画彩墨山水树木鸟猫鱼虫草人物画技法心自在吴成建禅意从入门到精通白的表现书籍

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基本信息

书名:水墨画的黄金法则

定价：59元

作者:马艳 著

出版社：北京美术摄影出版社

出版日期：2018-12-01

ISBN：9787559201812

字数：65000

版次：1

装帧：平装

开本：16开

编辑推荐

本书对于作者出生于书画世家，其外祖父为中油画大家王式廓先生，本书中的作品结合了马艳父母的合力指导，将作者学习水墨画绘画的精髓提炼为24条黄金法则，在东方传统美学理念中传递东方文化的很好内容。本书侧重于对24条黄金法则的精彩呈现，在呈现过程中，作者展示了超过60幅精彩的水墨画作品。作者本人对东西方文化的接触和了解，以及对东方文化的阐释和解读，都融汇在书中对24条水墨画黄金法则的演示中，细腻的笔触，柔软的灵魂，构成了作者心中对水墨画到的个人韵味。对于读者而言，本书精妙之处不仅在于对24条黄金法则的理解，更重要的是对作者内心深处对于水墨画的情感的共鸣。

内容提要

本书由在日本深受好评的水墨风景画家马艳创作。全书将水墨画的基础以24条黄金法则的形式呈现，深入浅出的讲解了植物、山水、动物、人物、建筑等水墨画经典元素的绘画技巧。

全书主要由两部分构成，部分简要介绍水墨画黄金法则运用的基础，包括用作画前的准备工作、何为水墨画创作、水墨画基础表现技法等一些基本材料和技巧问题的解答。第二部分立足于24条黄金法则，介绍了具体的水墨风景画的画法和作品，主要包括花的画法、山的画法、树木的画法、瀑布的画法、静物的画法、鸟的画法、建筑的画法、猫的画法、人物的画法等，其中以画法解说具体展示了各个主题下细分内容的画法，如花的画法的部分就展示了从枝干到叶片，从花朵到花蕊的详细步骤演示，在法则中总结绘技巧和应当着重注意的细节，并通过终的应用作品给读者一个整体观念。

作者介绍

马艳

1967年出生于北京。于中央美术学院，水墨画、油画、艺术评论专业，学习了油画和中画。世界少年儿童艺术中心（美）主办的《21世纪少年儿童艺术展》评审员。2006年起担任马骁水墨画协会所属的“艳墨会”主办人。2008年起多次举办包括《Bappaka狮子舞展》《野田市非物质文化遗产展》《野田的祭典》《龙》《天地人》《Ballade》《Rouge（红）&Noir（黑）·为墨添彩》《Noir（黑）&Blanc（白）·为墨添彩》等画展。2012 年东京新闻报千叶版《千叶色》中刊登了马艳辑（4月23日）。2014年加入日本美术家联盟，成为正式会员。并有多部作品应邀参加公开展览。

目录

序

第１章

法则的基础··························7

作画前的准备工作···································8

作画用具·······································8

笔·墨·纸·砚····································8

画具的摆放······································9

磨墨的方法······································9

●法则１●墨分五色··································9

笔墨的运用方法····································10

执笔的方法······································11

●法则２●掌握能灵活用笔的执笔方法····················11

调墨的方法······································12

运笔的基础······································14

●法则３●从“书画同源”中学习·························15

先画画看吧······································16

枯草蜻蜓的画法····································16

●法则４●用题款为画作收尾······························19

何为水墨画创作····································20

●法则５●掌握水墨画的基本三要素·······················21

水墨画基础表现技法··································22

红芜菁的画法

····································22

●法则６●用笔要有缓急变化······························23

笔头草的画法·····································24

●法则７●在构图取景上下功夫

···························25

金鱼的画法······································26

●法则８●自学也要有计划性······························28

黑天鹅的画法·····································29

●法则９●有飞白方现水墨意境···························31

●法则10●画面要有浓淡之分······························31

第２章

实践与应用——不同题材的画法·························33

花的画法·······································34

画法解说Ⅰ

盛放的白蔷薇·······························34

●法则11●白色花朵的表现技法···························36

画法解说Ⅱ

牡丹···································38

山的画法·······································44

画法解说Ⅲ

北阿尔卑斯山远望·····························44

●法则12●风景画的构图始于底稿·························45

●法则13●活用浓墨的表现效果···························46

●法则14●晕染的技法要点·······························46

树木的画法······································50

●法则15●殊技法——留白法···························51

瀑布的画法

·····································54

●法则16●活用留白的效果·······························55

静物的画法

·····································56

画法解说Ⅳ

父亲的赠礼································56

●法则17●从生活中寻找绘画题材·························57

鸟的画法·······································60

画法解说Ⅴ

飞翔···································60