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  • [正版]A Portrait of the Artist as a Young Man 一个青年艺术家的肖像 全英文
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    • 作者: JAMES著
    • 出版社: 云南人民出版社
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    • 作者: JAMES著
    • 出版社:云南人民出版社
    • ISBN:9787570538885
    • 版权提供:云南人民出版社

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      图书基本信息
    BASIC INFORMATION
    书名:A Portrait of the Artist as a Young Man 译者:JAMES JOYCE
    出版社:云南人民出版社
    定价:52 出版时间:2018年12月 开本:32开      
    页数:232 装帧:精装 ISBN:9787222176256
      内容简介
    BASIC INFORMATION

     

     

     

    世界经典英文名著文库(GUOMAIENGLISHLIBRARY)包含全世界范围内超受欢迎的原版经典图书:《小王子》《老人与海》《了不起的盖茨比》《月亮和六便士》《喧嚣与骚动》《瓦尔登湖》《欧o亨利短篇小说精选》《双城记》……

     

    APortraitoftheArtistasaYoungMan,中文译名为《一个青年艺术家的肖像》,本书是乔伊斯由其弃作《斯蒂芬英雄》改写而成的一部半自传体小说。小说颠覆了传统的叙事方式,以意识流的手法描写了极具艺术家气质的青年斯蒂芬痛苦曲折的成长历程,以及在成长过程中对于宗教传统、民族情绪、家庭生活的反思。本书在很大程度上来源于乔伊斯本人的生活体验,展现出了一位艺术家复杂敏感的内心世界。在此之后,书中的青年斯蒂芬继续成长,走入了意识流鸿篇《尤利西斯》之中。



     

     

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    《一个青年艺术家的肖像》

    ◆绝妙!--博尔赫斯

    ◆詹姆斯·乔伊斯半自传体小说

      图书展示
    BASIC INFORMATION

     

     

     

     

      作者简介
    BASIC INFORMATION

     

    詹姆斯·乔伊斯(James Joyce,1882-1941)

    爱尔兰作家、诗人,后现代文学的奠基者之一,其作品及"意识流"思想对世界文坛影响巨大。1920年起定居巴黎。其一生颠沛流离,辗转于欧洲各地,靠教授英语和写作糊口,晚年饱受眼疾之痛,几近失明。其作品结构复杂,用语奇特,极富独创性。主要作品是短篇小说集《都柏林人》(1914)描写下层市民的日常生活,显示社会环境对人的理想和希望的毁灭。自传体小说《青年艺术家的自画像》(1916)以大量内心独白描述人物心理及其周围世界。代表作长篇小说《尤利西斯》(1922)表现现代社会中人的孤独与悲观。后期作品长篇小说《芬尼根的守灵夜》(1939)借用梦境表达对人类的存在和命运的终极思考,语言极为晦涩难懂。

     


            
     

     

      关于评论
    BASIC INFORMATION

     

    ◆没有乔伊斯,就没有解构。--雅克·德里达(法国哲学家,解构主义代表人物)

     

    ◆乔伊斯的作品不是关于事物本身,而就是事物本身。--萨缪尔·贝克特(爱尔兰诗人)

     

    ◆乔伊斯不顾一切专注于表现内心深处的火花掠过大脑时隐约间传递出无数信息。--伍尔夫(英国作家)

     

     

      目 录
    BASIC INFORMATION

      试 读
    BASIC INFORMATION

     

    试读:

     

    Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was coming down along the road met a nicens little boy named baby tuckoo …

    His father told him that story: his father looked at him through a glass: he had a hairy face.

    He was baby tuckoo. The moocow came down the road where Betty Byrne lived: she sold lemon platt.

     

    O, the wild rose blossoms

    On the little green place.

     

    He sang that song. That was his song.

     

    O, the green wothe botheth.

     

    When you wet the bed first it is warm then it gets cold. His mother put on the oilsheet. That had the queer smell.

    His mother had a nicer smell than his father. She played on the piano the sailor’s hornpipe for him to dance. He danced:

     

    Tralala lala,

    Tralala tralaladdy,

    Tralala lala,

    Tralala lala.

     

    Uncle Charles and Dante clapped. They were older than his father and mother but uncle Charles was older than Dante.

    Dante had two brushes in her press. The brush with the maroon velvet back was for Michael Davitt and the brush with the green velvet back was for Parnell. Dante gave him a cachou every time he brought her a piece of tissue paper.

    The Vances lived in number seven. They had a different father and mother. They were Eileen’s father and mother. When they were grown up he was going to marry Eileen. He hid under the table. His mother said:

    —O, Stephen will apologize.

    Dante said:

    —O, if not, the eagles will come and pull out his eyes.—

     

    Pull out his eyes,

    Apologize,

    Apologize,

    Pull out his eyes.

    Apologize,

    Pull out his eyes,

    Pull out his eyes,

    Apologize.

     

    The wide playgrounds were swarming with boys. All were shouting and the prefects urged them on with strong cries. The evening air was pale and chilly and after every charge and thud of the footballers the greasy leather orb flew like a heavy bird through the grey light. He kept on the fringe of his line, out of sight of his prefect, out of the reach of the rude feet, feigning to run now and then. He felt his body small and weak amid the throng of the players and his eyes were weak and watery. Rody Kickham was not like that: he would be captain of the third line all the fellows said.

    Rody Kickham was a decent fellow but Nasty Roche was a stink. Rody Kickham had greaves in his number and a hamper in the refectory. Nasty Roche had big hands. He called the Friday pudding dog-in-the-blanket. And one day he had asked:

    —What is your name?

    Stephen had answered: Stephen Dedalus.

    Then Nasty Roche had said:

    —What kind of a name is that?

    And when Stephen had not been able to answer Nasty Roche had asked:

    —What is your father?

    Stephen had answered:

    —A gentleman.

    Then Nasty Roche had asked:

    —Is he a magistrate?

    He crept about from point to point on the fringe of his line, making little runs now and then. But his hands were bluish with cold. He kept his hands in the side pockets of his belted grey suit. That was a belt round his pocket. And belt was also to give a fellow a belt. One day a fellow said to Cantwell:

    —I’d give you such a belt in a second.

    Cantwell had answered:

    —Go and fight your match. Give Cecil Thunder a belt. I’d like to see you. He’d give you a toe in the rump for yourself.

     

     

     

     

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