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  • [正版]英文原版 The Andy Warhol Diaries Edited by Pat Hackett 安迪 沃
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    • 作者: 1著
    • 出版社: 21世纪
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    • 作者: 1著
    • 出版社:21世纪
    • ISBN:9785844769119
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    书名:The Andy Warhol Diaries Edited by Pat Hackett 安迪·沃霍尔日记 现代经典

    作者:Andy Warhol

    出版社名称:Penguin Classics; 1st edition

    出版时间:2010

    语种:英语

    ISBN9780141193076

    商品尺寸:12.9 x 5.2 x 19.8 cm

    包装:平装

    页数:1216(以实物为准)




    NOW A MAJOR NETFLIX SERIES

    'His last great work of art' Nicholas Lezard, Guardian

    'Cruel, sexy, and sometimes heartbreaking ... Warhol is no neutral observer, but a character in his own right' Newsweek

    Andy Warhol kept these diaries faithfully from November 1976 right up to his final week, in February 1987. Written at the height of his fame and success, Warhol records the fun of an Academy Awards party, nights out at Studio 54, trips between London, Paris and New York, and surprisingly even the money he spent each day, down to the cent. With appearances from and references to everyone who was anyone, from Jim Morrison, Martina Navratilova and Calvin Klein to Shirley Bassey, Estee Lauder and Muhammad Ali, these diaries are the most glamorous, witty and revealing writings of the twentieth century.

    Edited with an Introduction by Pat Hackett




    Andy Warhol, a painter and graphic artist, also produced a significant body of film work, including his famous Chelsea Girls. He was equally well known in the late sixties and early seventies as resident host at his studio, The Factory, where one could listen to Lou Reed and the Velvet Underground and rub elbows with Edie Sedgwick. Warhold died in New York in 1987.




    Review


    Cruel, sexy, and sometimes heartbreaking ... Warhol is no neutral observer, but a character in his own right ― Newsweek

    A guilty pleasure, famed for their celebrity anecdotes, their triviality, their lack of engagement...The 90s bestseller that no one admitted having read...In his diaries, as in much else, Warhol was way ahead of the game. -- Nicola Barr ― The Observer

    Diaries are his last great work of art, and no less valuable for having been created with even less visible conscious intent than anything else he produced....There's something about them that makes you strongly suspect that editor Pat Hackett has done a very thorough and sympathetic job...There is much to surprise, though...Warhol was a more amusing person, and a more human one, than the mask and blond fright-wig might have let on. The deadpan are by no means immune to human feeling, after all. -- Nicholas Lezard ― The Guardian


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