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醉染图书翻译的艺术9787544657600
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Introduction to the second edition (1983)
Editors introduction to the English edition
Translators introduction to the English edition
PART I
CHAPTER 1 Translation theory: The state of the art
1.1 An overview
1.2 General and speised theories
1.3 Linguistic methodology
1.4 Literary methodology
CHAPTER 2 Translation as a process
2.1 The genesis of a literary work and of its translation
2.2 The three stages of the translators work
2.2.1 Apprehension
2.2.2 Interpretation
2.. Re-stylisation
CHAPTER 3 Translation aesthetics
3.1 Creative production
3.1.1 Translation as an art form
3.1.2 The dual norm in translation
3.1.3 The hybrid nature of translation
3.1.4 The ambivalent relationship with the original literature
3.2 The translators linguistic and literary creativity
3.2.1 The classic translation
3.2.2 Translation tradition
3.. Linguistic creativity
3.3 Fidelity in reproduction
3.3.1 Translation procedures
3.3.2 Cultural and historical specificity
3.3.3 The whole and its parts
CHAPTER 4 On the poetics of translation
4.1 Artistic and translation styles
4.L1 Lexical choices
4.1.2 The idea and its expression
4.2 Translating book titles
CHAPTER 5 Drama translation
5.1 Speakability and intelligibility
5.2 Stylisation of theatrical discourse
5.3 Semantic contexts
5.4 Verbal action
5.5 Dialogue and characters
5.6 The principle of selective accuracy
CHAPTER 6 Translation in literary studies
6.1 Mapping the history of translation practice
6.2 Translation analysis
6.3 Translation in national cultures and world literature
PART II
CHAPTER 1 Original verse and translated verse
1.1 Verse and prose
1.2 Rhymed and unrhymed verse
1.3 Semantic density
1.4 The verse of the source and the translators verse
1.5 The original metre
CHAPTER 2 Translating from non-cognate versification systems
2.1 ntitative verse
2.2 Syllabic verse
. Accentual verse
CHAPTER 3 Translating from cognate versification systems
3.1 Rhythm
3.1.1 TWO types of rhythm
3.1.2 Freed verse
3.1.3 The tempo of the dacty
3.1.4 Accentual-syllabic versification
3.2 Rhyme
3.2.1 Rhyming vocabulary
3.2.2 Masculine and feminine rhyme
3.. Rich rhyme
3.2.4 Imperfect and decanonise hye
3.2.4.1 Rhyming conventions and language
3.2.4.2 Consonance and assonance
3.2.4.3 Decanonise hye
3.3 Euphony
CHAPTER 4 Notes on the comparative morphology of verse
4.1 ln vrse
4.2 The alexandrine
4.3 Free verse
CHAPTER 5 Integrating style and thought
References
Index
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