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醉染图书威·休·奥登诗歌中的绘画艺术研究9787313176
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Chapter One INTRODUCTION
1.1 A Critical Survey of English and Chinese Scholarship on W.H.Auden
1.2 A Probe into the Relationship between Poetry and Painting
1.3 The Motivation,Methodology and Significance of This Book
Chapter Two A Poet Artistically Inspired:Audens Insight into Painting
2.1 Audens Knowledge and Perception of Painting
2.2 Audens Emphasis on Direct Observation of Nature
. Audens Rejection of Camera Lens as“Desanctifying Sight”
2.4 Audens Attempt to Visualize Abstract Concepts
Chapter Three Fundamental Elements of Painting in Audens Poetry(I):
Microscopic Vision
3.1 Light and Shadow:Rhythm of Brightness and Darkness
3.2 Colour:Multi-Hued Apparel of Nature
Chapter Four Fundamental Elements of Painting in Audens Poetry(II):
Macroscopic Vision
4.1 Perspective and Space:Aspiration for Infinity
4.2 Coition:Aesthetic Arrangement of Pictures
Chapter Five Objective Representation:Influence from Major Pre-20th Cen-
tury Schools of Painting on Audens Creation of Poetry
5.1 Baroque Painting:Vibration of Dynamic Life
5.2 Pastoral Painting:Idyllic Portrayal of Rural Landscape
5.3 Impressionist Painting:Symphony of Light and Colour
5.4 Post-Impressionist Painting:Scenery Endowed with Humanity
Chapter Six Subjective Expression:Influence from Major 20th Century
Schools of Painting on Audens Creation of Poetry
6.1 Cubist Painting:Subverting Visual Conventions
6.2 Surrealistic Painting:Delving into the Depths of Subconsciousness
Chapter Seven Conclusion
Appendix(Illustrations)
Bibliography
An Index of Major Terms
龚晓睿,1978年生,男,上海立信会计金融学院外语学院讲师,上海外国语大学英语语言文学博士,主要从事英美文学及诗歌与绘画跨学科研究。
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