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  • 醉染图书黄哲伦后现代剧场美学研究978756742
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    • 作者: 祁亚平著 | 祁亚平编 | 祁亚平译 | 祁亚平绘
    • 出版社: 苏州大学出版社
    • 出版时间:2022-01-01
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    • 作者: 祁亚平著| 祁亚平编| 祁亚平译| 祁亚平绘
    • 出版社:苏州大学出版社
    • 出版时间:2022-01-01
    • 版次:1
    • 印次:1
    • 字数:325000
    • 页数:244
    • 开本:16开
    • ISBN:9787567238428
    • 版权提供:苏州大学出版社
    • 作者:祁亚平
    • 著:祁亚平
    • 装帧:平装
    • 印次:1
    • 定价:58.00
    • ISBN:9787567238428
    • 出版社:苏州大学出版社
    • 开本:16开
    • 印刷时间:暂无
    • 语种:暂无
    • 出版时间:2022-01-01
    • 页数:244
    • 外部编号:1202690261
    • 版次:1
    • 成品尺寸:暂无

    Chapter One Introduction

    1.1 Literature review

    1.1.1 Critica rceto of Hwangs theatre in Chinese Mainland

    1.1.2 Overseas critica rceto of Hwangs theatre

    1.1.3 Comments on critica rcetos of Hwangs theatre

    1.2 Research objectives

    1.3 Methodology

    1.4 Terminologies

    1.5 Theorizing performativity:a Butlerian lens

    1.6 Structure of the book

    Chapter Two Unnatural Narrative: Disrupting the Coherence of Master Narrative

    2.1 Unreliable narrators: perpetuators of stereotypes

    2.1.1 Dale in FOB : the embodiment of internalized sterotypes

    2.1.2 Gallimard in M. Butterfly: perpetrator and victim of stereotypes

    2.1.3 Ahn in Golden Child: a witness to enactments of stereotypes

    2.1.4 DHH in Yellow Face : an upholder of the notion of authenticity

    2.1.5 Summary

    2.2 Anti-realistic characters: rejecting the process of performativity

    2.2.1 The notion of performativity in Trying to Find Chinatown and Bondage

    2.2.2 Performers of multiple roles in FOB, The Dance and the Railroad and M.Butterfly

    2.. Marcuss "passing" in Yellow Face

    2.2.4 Summary

    . Unnatural temporalities : disrupting the linearity of master narrative

    ..1 Memories and flashbacks

    ..2 Fusion of the isible and the mundane

    .. Summary

    2.4 Anti-mimetic spaces: breaking fixed spatialities and creating heterotopias

    2.5 Hwangs unnatural narrative and the notion of performativity

    Chapter Three The Metaaatic:Generating Estrangement and Critiquing the Process of Performativity

    3.1 Varieties of te earamatic in Hwangs theatre

    3.2 The play within the play:breaking the aatic illusion

    3.2.1 The play within the play in FOB

    3.2.2 The play within the play in M. Butterfly

    3.. The play within the play in Golden Child

    3.2.4 The play within the play in Yellow Face

    3.3 Role playing within the role: creating double identities and negating homogeneity

    3.3.1 Role playing within the role in FOB

    3.3.2 Role playing within the role in M. Butterfly

    3.3.3 Role playing within the role in Yellow Face

    3.3.4 Role playing within the role in Hwangs other plays

    3.4 Self-reference: creating estrangement and urging the audience to reconsider reality

    3.4.1 Self-reference in M. Butterfly

    3.4.2 Self-reference in Yellow Face

    3.5 Hwangs metaaa and the deconstruction of essentialist views on identity

    3.5.1 The function of the play within the play

    3.5.2 The function of role playing within the role

    3.5.3 The function of self-reference

    3.5.4 The function of other metaaatic devices

    Chapter Four Heterotopic Stage Space:Opening Up Possibilities for a Color-Blind Communitas

    4.1 Heterotopia: a liminal space

    4.2 Heterotopia in/and theatre

    4.3 Heterotopic spaces in the performances of Hwangs plays

    4.3.1 Real spaces that have heterotopic qualities in Hwangs plays

    4.3.2 Imagined heterotopias in Hwangs plays

    4.3.3 Multimedia performances in Yellow Face:creating a heterotopia to express the fluidity of space and identity

    4.4 Hwangs heterotopic stage space and the setting-up of a color-blind communitas

    Chapter Five Conclusion

    Appendix

    An Interview with David Henry Hwang

    Performative Identity on a Liminal Stage: An Interview with David Henry Hwang

    Bibliography


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