醉染图书水墨画的黄金法则9787559201812

序
第１章 法则的基础··························7
作画前的准备工作···································8
作画用具·······································8
笔·墨·纸·砚····································8
画具的摆放······································9
磨墨的方法······································9
●法则１●墨分五色··································9
笔墨的运用方法····································10
执笔的方法······································11
●法则２●掌握能灵活用笔的执笔方法····················11
调墨的方法······································12
运笔的基础······································14
●法则３●从“书画同源”中学习·························15
先画画看吧······································16
枯草蜻蜓的画法····································16
●法则４●用题款为画作收尾······························19
何为水墨画创作····································20
●法则５●掌握水墨画的基本三要素·······················21
水墨画基础表现技法··································22
红芜菁的画法 ····································22
●法则６●用笔要有缓急变化······························
笔头草的画法·····································24
●法则７●在构图取景上下功夫 ···························25
金鱼的画法······································26
●法则８●自学也要有计划······························28
黑天鹅的画法·····································29
●法则９●有飞白方现水墨意境···························31
●法则10●画面要有浓淡之分······························31
第２章 实践与应用——不同题材的画法·························33
花的画法·······································34
画法解说Ⅰ 盛放的白蔷薇·······························34
●法则11●白色花朵的表现技法···························36
画法解说Ⅱ 牡丹···································38
山的画法·······································44
画法解说Ⅲ 北阿尔卑斯山远望·····························44
●法则12●风景画的构图始于底稿·························45
●法则13●活用浓墨的表现效果···························46
●法则14●晕染的技法要点·······························46
树木的画法······································50
●法则15●特殊技法——留白法···························51
瀑布的画法 ·····································54
●法则16●活用留白的效果·······························55
静物的画法 ·····································56
画法解说Ⅳ 父亲的赠礼································56
●法则17●从生活中寻找绘画题材·························57
鸟的画法·······································60
画法解说Ⅴ 飞翔···································60
●法则18●起笔顺序的原则·······························61
建筑的画法······································66
●法则19●表现远近感的方法······························68
●法则20●野外写生的方法·······························69
猫的画法·······································70
画法解说Ⅵ 暹罗猫··································70
●法则21●绘制动物时的要点······························71
人物的画法······································74
●法则22●培养“画心”·······························77
创作入门·······································82
●法则●特殊画具的使用方法···························83
●法则24●用色彩为水墨增色······························84
作者简介·······································87

马艳
1967年出生于北京。于中央美术学院，水墨画、油画、艺术评论专业，学习了油画和中国画。世界少年儿童艺术中心（美国）主办的《21世纪少年儿童艺术展》评审员。2006年起担任马骁水墨画协会所属的“艳墨会”主办人。2008年起多次举办包括《Bappaka狮子舞展》《野田市非物质文化遗产展》《野田的祭典》《龙神》《天地人》《Ballade》《Rouge（红）&Noir（黑）·为墨添彩》《Noir（黑）&Blanc（白）·为墨添彩》等画展。2012 年东京新闻报千叶版《千叶特色》中刊登了马艳特辑（4月日）。2014年加入日本美术家联盟，成为正式会员。并有多部作品应邀参加公开展览。

本书对于作者出生于书画世家，其外祖父为中国油画大家王式廓先生，本书中的作品结合了马父的合力指导，将作者学习水墨画绘画的精髓提炼为24条黄金法则，在东方传统美学理念中传递东方文化的很好内容。
本书侧重于对24条黄金法则的精彩呈现，在呈现过程中，作者展示了超过60幅精彩的水墨画作品。作者本人对东西方文化的接触和了解，以及对东方文化的阐释和解读，都融汇在书中对24条水墨画黄金法则的演示中，细腻的笔触，柔软的灵魂，构成了作者心中对水墨画独到的个人韵味。对于读者而言，本书精妙之处不仅在于对24条黄金法则的理解，更重要的是对作者内心深处对于水墨画的情感的共鸣。