正版 素描基础教程:人物头像 张恒国编著 清华大学出版社 9787302

第一章 人物肖像概述············································1
1.人物肖像························································1
2.头部写生要点·················································1
3.人物头像写生步骤··········································1
4.头部写生方法·················································1


第二章 人物头部结构············································2
1.头部比例·······················································2
2.头部形体·······················································2
3.头部骨骼·······················································2
4.头部肌肉·······················································3
5.头部的透视····················································4
6.颈部结构·······················································4



第一章 人物肖像概述············································1
1.人物肖像························································1
2.头部写生要点·················································1
3.人物头像写生步骤··········································1
4.头部写生方法·················································1


第二章 人物头部结构············································2
1.头部比例·······················································2
2.头部形体·······················································2
3.头部骨骼·······················································2
4.头部肌肉·······················································3
5.头部的透视····················································4
6.颈部结构·······················································4

第三章 五官的结构···············································5
1.眼睛的结构····················································5
2.鼻子的结构····················································5
3.嘴巴的结构···················································6
4.耳朵结构······················································6
5.五官组合的画法············································7

第四章 五官的画法··············································8
1.眼睛的画法···················································8
2.鼻子的画法···················································9
3.嘴巴的画法··················································10
4.耳朵的画法···················································11

第五章 青年头像写生··········································12
1.女孩肖像的画法············································12
2.男青年正面的画法········································14
3.女青年半侧面的画法····································16
4.男孩肖像的画法···········································18
5.男青年半侧面的画法····································20
6.女孩侧面的画法···········································22
7.男青年侧面的画法·······································24
8.男青年正面的画法·······································26
9.女青年半侧面的画法····································28
10.男青年侧面的画法······································30
11.男青年半侧面的画法··································32
12.男青年侧面的画法·····································34

第六章 中老年头像写生······································36
1.男中年侧面的画法·······································36
2.男中年半侧面的画法····································38
3.女中年正面的画法·······································40
4.男中年侧面的画法·······································42
5.女中年正面的画法·······································44
6.男中年半侧面的画法···································46
7.男中年半侧面的画法····································48
8.女中年侧面的画法·······································50
9.男中年半侧面的画法····································52
10.男中年正面的画法······································54

第七章 老年头像写生··········································56
1.老年头部特点··············································56
2.男老年半侧面的画法····································56
3.男老年半侧面的画法····································58
4.男老年半侧面的画法····································60
5.女老年半侧面的画法····································62
6.男老年半侧面的画法·····································64
7.男老年半侧面的画法····································66
8.男老年侧面的画法·······································68
9.男老年半侧面的画法····································70

第八章 头像写生作品范例···································72

张恒国，美术专业出身，设计专业毕业，设计老师，热爱美术设计行业，出版多部美术类、设计类图书。

素描头像作为整个素描基础训练中的一个重要环节，对于学习美术的学生有着十分重要的意义。素描头像不仅是素描造型学习中不可缺少的组成部分，也是高等艺术院校考查学生动手能力的重要手段之一。因此，如何学好画素描头像，在素描基础的学习过程中就显得尤为重要。

   本书图文并茂地介绍了人物头部结构，骨骼肌肉以及五官的画法，并通过青年头像画法、中年头像画法和老年头像画法等不同章节，详细展示了不同年龄段真人头像的画法。本书内容丰富，结构安排合理，由浅入深、循序渐进，通过大量精选的典型实例，系统讲解了素描头像的表现技法，着重阐述了素描头像的绘画流程。

   本书紧扣“基础”和“实用”两大基点，是美术爱好者学习素描的入门教材，同时也可以作为美术相关专业的教材，以及准备跨入艺术院校的学生学习使用。