卡里尔·菲利普斯小说中的电影元素
作 者:苏娉 著
定 价:78
出 版 社:清华大学出版社
出版日期:2017年07月01日
页 数:249
装 帧:简装
ISBN:9787302460497
本书从以下三个角度分析了卡里尔·斯小说中的电影元素和技巧:(一)作者如何将各种电影镜头转化为文字,实现一种视觉化叙事;(二)作者如何巧妙地将各种电影蒙太奇技巧运用到小说叙事中;(三)作者在小说中对光、色彩、声音的电影化运用。研究表明电影对斯小说的叙事技巧、风格、人物刻画、主题都产生了重要影响。
本书从以下三个角度分析了卡里尔·斯小说中的电影元素和技巧:(一)作者如何将各种电影镜头转化为文字,实现一种视觉化叙事;(二)作者如何巧妙地将各种电影蒙太奇技巧运用到小说叙事中;(三)作者在小说中对光、色彩、声音的电影化运用。研究表明电影对斯小说的叙事技巧、风格、人物刻画、主题都产生了重要影响。
无
novel and therefore stimulates their innovations with the point of view in writing.46 For instance, Caryl Phillips, in his many novels such as The Nature of Blood and Dancing in the Dark, alternates frequently the first and third person narration.47 As for the second aspect, cinema has made considerable impact on the techniques of the novel with its spe ways of manipulatingnull
Preface i Acknowledgements iii List of Abbreviations v Chapter One Introduction 1
Chapter Two Novel and Film 23
Chapter Three Cinematic Visualization: Writing with a Camera Eye 57
I. Frequent Cross-references to the Cinema 58
II. Parallels of Different Camera Shots 70
III. The Significance of Different Shots 95
IV. The Significance of the Combination of Different Shots 103
Chapter Four Montage: Fragmentation and Discontinuity 111
I. Quick Sequences of Brief Images 113
II. Metaphorical Montages 120 III. Parallel Montages and Jump Cuts 130
IV. Flashback Montages 139 V Conclusion 145
Chapter Five Phillips’s Cinematic Use of Light, Color and Sound 147
I. Light 147
II. Color 176
III. Sound 195
Chapter Six Cinematic Imagination 225
Bibliography 235