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  • 黄哲伦后现代剧场美学研究 祁亚平 著 艺术 文轩网
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    • 作者: 祁亚平著
    • 出版社: 苏州大学出版社
    • 出版时间:2022-01-01 00:00:00
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    商品参数
    • 作者: 祁亚平著
    • 出版社:苏州大学出版社
    • 出版时间:2022-01-01 00:00:00
    • 版次:1
    • 印次:1
    • 印刷时间:2022-01-01
    • 字数:325000
    • 页数:244
    • 开本:16开
    • 装帧:平装
    • ISBN:9787567238428
    • 国别/地区:中国
    • 版权提供:苏州大学出版社

    黄哲伦后现代剧场美学研究

    作  者:祁亚平 著
    定  价:58
    出 版 社:苏州大学出版社
    出版日期:2022年01月01日
    页  数:244
    装  帧:平装
    ISBN:9787567238428
    主编推荐

    内容简介

    本书试图以黄哲伦的主要剧作为研究对象,从叙事形式、戏剧结构和剧场空间三个层面探讨黄氏后现代剧场美学。该书强调,黄哲伦本着形式为内容服务的原则,以后现代剧场美学很好地演绎了身份的表演性与流动性,彰显了形式与内容之间的辩证统一关系。

    作者简介

    精彩内容

    目录
    Chapter One Introduction
    1.1 Literature review
    1.1.1 Critical reception of Hwang's theatre in Chinese Mainland
    1.1.2 Overseas critical reception of Hwang's theatre
    1.1.3 Comments on critical receptions of Hwang's theatre
    1.2 Research objectives
    1.3 Methodology
    1.4 Terminologies
    1.5 Theorizing performativity:a Butlerian lens
    1.6 Structure of the book
    Chapter Two Unnatural Narrative: Disrupting the Coherence of Master Narrative
    2.1 Unreliable narrators: perpetuators of stereotypes
    2.1.1 Dale in FOB : the embodiment of internalized sterotypes
    2.1.2 Gallimard in M. Butterfly: perpetrator and victim of stereotypes
    2.1.3 Ahn in Golden Child: a witness to enactments of stereotypes
    2.1.4 DHH in Yellow Face : an upholder of the notion of authenticity
    2.1.5 Summary
    2.2 Anti-realistic characters: rejecting the process of performativity
    2.2.1 The notion of performativity in Trying to Find Chinatown and Bondage
    2.2.2 Performers of multiple roles in FOB, The Dance and the Railroad and M.Butterfly
    2.2.3 Marcus's "passing" in Yellow Face
    2.2.4 Summary
    2.3 Unnatural temporalities : disrupting the linearity of master narrative
    2.3.1 Memories and flashbacks
    2.3.2 Fusion of the impossible and the mundane
    2.3.3 Summary
    2.4 Anti-mimetic spaces: breaking fixed spatialities and creating heterotopias
    2.5 Hwang's unnatural narrative and the notion of performativity
    Chapter Three The Metadramatic:Generating Estrangement and Critiquing the Process of Performativity
    3.1 Varieties of the metadramatic in Hwang's theatre
    3.2 The play within the play:breaking the dramatic illusion
    3.2.1 The play within the play in FOB
    3.2.2 The play within the play in M. Butterfly
    3.2.3 The play within the play in Golden Child
    3.2.4 The play within the play in Yellow Face
    3.3 Role playing within the role: creating double identities and negating homogeneity
    3.3.1 Role playing within the role in FOB
    3.3.2 Role playing within the role in M. Butterfly
    3.3.3 Role playing within the role in Yellow Face
    3.3.4 Role playing within the role in Hwang's other plays
    3.4 Self-reference: creating estrangement and urging the audience to reconsider reality
    3.4.1 Self-reference in M. Butterfly
    3.4.2 Self-reference in Yellow Face
    3.5 Hwang's metadrama and the deconstruction of essentialist views on identity
    3.5.1 The function of the play within the play
    3.5.2 The function of role playing within the role
    3.5.3 The function of self-reference
    3.5.4 The function of other metadramatic devices
    Chapter Four Heterotopic Stage Space:Opening Up Possibilities for a Color-Blind Communitas
    4.1 Heterotopia: a liminal space
    4.2 Heterotopia in/and theatre
    4.3 Heterotopic spaces in the performances of Hwang's plays
    4.3.1 Real spaces that have heterotopic qualities in Hwang's plays
    4.3.2 Imagined heterotopias in Hwang's plays
    4.3.3 Multimedia performances in Yellow Face:creating a heterotopia to express the fluidity of space and identity
    4.4 Hwang's heterotopic stage space and the setting-up of a color-blind communitas
    Chapter Five Conclusion
    Appendix
    An Interview with David Henry Hwang
    Performative Identity on a Liminal Stage: An Interview with David Henry Hwang
    Bibliography

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