王晓平,先后毕业于北京大学中文系、香港科技大学人文学部、美国得克萨斯大学亚洲研究系,获博士学位,主要研究方向为20世纪中国现当代文学和文化。现任厦门大学教授,“孔子新汉学汁划”博士生导师,教育部“新世纪很好人才计划”入选者。在《文学评论》、《文艺研究》、《中国现代文学研究丛刊》、《中国文学研究》、《现代中文学刊》、《汉语言文学研究》、《文艺理论研究》、《文艺理论与批评》,以及Comparative Literature Studies,Journal of Contemporary China,Harvard AsiaQuarterly,Stanford Journal of East Asia Affairs,Australasian Journal of&nnull
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Introduction Chapter One Experiencing Realism or Modernism in Practicing Arts? Authenticity,Truth,and Art in Frozen(1994) Chapter Two Super―Realism or Sur―Realism in Portraying a(Post)modern Desire:Rain Clouds over Wushan's(1996)Rendition of the Subaltern Chapter Three Phantasmagoric Realism in an“Art Film”:Portraying Chinese“Middle Class”in Lunar Eclipse(1999) Chapter Four Onirogenic Realism in Narrating Love Stories:Suzhou River(2000)as a Historical Allegory Chapter Five Melodramatic Realism in a“Teen’s Movie”:Articulating the Logic of Market Society in Beijing Bicycle(2001) Chapter Six Revolutionary Realism or Sot Realism? Chinese Goodman in Jia Zhangke’S Still Life(2006) Chapter Seven Retrospective Realism in Memorizing the Chinese Working Class:On the Narrative Strategy of The Road(2006) Chapter Eight Critical Realism with the Taint of Religion:Salvation and Hope in Luxury Car(2006) Chapter Nine Psychological Realism in the Memory of a Workwoman:How do Chinese Workers Spend their Lives in Weaving Girl(2008) Chapter Ten Hallucinatory Realism in the Eyes ofArtists:The Falsity of Choices in And the Spring Comes(2008) Conclusion On the Merits and Faults of Practicing Realism in Contemporary Chinese Cinema Bibliography