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  • 水墨画的黄金法则 马艳著 著 孔婷婷 译 艺术 文轩网
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    • 作者: 马艳著著 | | 孔婷婷译
    • 出版社: 北京美术摄影出版社
    • 出版时间:2018-12-01 00:00:00
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    • 作者: 马艳著著| 孔婷婷译
    • 出版社:北京美术摄影出版社
    • 出版时间:2018-12-01 00:00:00
    • 版次:1
    • 印次:1
    • 印刷时间:2018-12-01
    • 页数:88
    • 开本:16开
    • 装帧:平装
    • 国别/地区:中国
    • 版权提供:北京美术摄影出版社

    水墨画的黄金法则

    作  者:马艳著 著 孔婷婷 译
    定  价:59
    出 版 社:北京美术摄影出版社
    出版日期:2018年12月01日
    页  数:88
    装  帧:平装
    ISBN:9787559201812
    主编推荐

    本书对于作者出生于书画世家,其外祖父为中国油画大家王式廓先生,本书中的作品结合了马艳父母的合力指导,将作者学习水墨画绘画的精髓提炼为24条黄金法则,在东方传统美学理念中传递东方文化的很好内容。 本书侧重于对24条黄金法则的精彩呈现,在呈现过程中,作者展示了超过60幅精彩的水墨画作品。作者本人对东西方文化的接触和了解,以及对东方文化的阐释和解读,都融汇在书中对24条水墨画黄金法则的演示中,细腻的笔触,柔软的灵魂,构成了作者心中对水墨画独到的个人韵味。对于读者而言,本书精妙之处不仅在于对24条黄金法则的理解,更重要的是对作者内心深处对于水墨画的情感的共鸣。

    内容简介

    本书由在日本深受好评的水墨风景画家马艳创作。全书将水墨画的基础以24条黄金法则的形式呈现,深入浅出的讲解了植物、山水、动物、人物、建筑等水墨画经典元素的绘画技巧。 全书主要由两部分构成,部分简要介绍水墨画黄金法则运用的基础,包括用作画前的准备工作、何为水墨画创作、水墨画基础表现技法等一些基本材料和技巧问题的解答。第二部分立足于24条黄金法则,介绍了具体的水墨风景画的画法和作品

    作者简介

    马艳 1967年出生于北京。毕业于中央美术学院,水墨画、油画、艺术评论专业,学习了油画和中国画。世界少年儿童艺术中心(美国)主办的《21世纪少年儿童艺术展》评审员。2006年起担任马骁水墨画协会所属的“艳墨会”主办人。2008年起多次举办包括《Bappaka狮子舞展》《野田市非物质文化遗产展》《野田的祭典》《龙神》《天地人》《Ballade》《Rouge(红)&Noir(黑)·为墨添彩》《Noir(黑)&Blanc(白)·为墨添彩》等画展。2012 年东京新闻报千叶版《千叶特色》中刊登了马艳特辑(4月23日)。2014年加入日本美术家联盟,成为正式会员。并有多部作品应邀参加公开展览。

    精彩内容

    目录
    序 第1章 法则的基础··························7 作画前的准备工作···································8 作画用具·······································8 笔·墨·纸·砚····································8 画具的摆放······································9 磨墨的方法······································9 ●法则1●墨分五色··································9 笔墨的运用方法····································10 执笔的方法······································11 ●法则2●掌握能灵活用笔的执笔方法····················11 调墨的方法······································12 运笔的基础······································14 ●法则3●从“书画同源”中学习·························15 先画画看吧······································16 枯草蜻蜓的画法····································16 ●法则4●用题款为画作收尾······························19 何为水墨画创作····································20 ●法则5●掌握水墨画的基本三要素·······················21 水墨画基础表现技法··································22 红芜菁的画法 ····································22 ●法则6●用笔要有缓急变化······························23 笔头草的画法·····································24 ●法则7●在构图取景上下功夫 ···························25 金鱼的画法······································26 ●法则8●自学也要有计划性······························28 黑天鹅的画法·····································29 ●法则9●有飞白方现水墨意境···························31 ●法则10●画面要有浓淡之分······························31 第2章 实践与应用——不同题材的画法·························33 花的画法·······································34 画法解说Ⅰ 盛放的白蔷薇·······························34 ●法则11●白色花朵的表现技法···························36 画法解说Ⅱ 牡丹···································38 山的画法·······································44 画法解说Ⅲ 北阿尔卑斯山远望·····························44 ●法则12●风景画的构图始于底稿·························45 ●法则13●活用浓墨的表现效果···························46 ●法则14●晕染的技法要点·······························46 树木的画法······································50 ●法则15●特殊技法——留白法···························51 瀑布的画法 ·····································54 ●法则16●活用留白的效果·······························55 静物的画法 ·····································56 画法解说Ⅳ 父亲的赠礼································56 ●法则17●从生活中寻找绘画题材·························57 鸟的画法·······································60 画法解说Ⅴ 飞翔···································60 ●法则18●起笔顺序的原则·······························61 建筑的画法······································66 ●法则19●表现远近感的方法······························68 ●法则20●野外写生的方法·······························69 猫的画法·······································70 画法解说Ⅵ 暹罗猫··································70 ●法则21●绘制动物时的要点······························71 人物的画法······································74 ●法则22●培养“画心”·······························77 创作入门·······································82 ●法则23●特殊画具的使用方法···························83 ●法则24●用色彩为水墨增色······························84 作者简介·······································87

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