王晓平,先后毕业于北京大学中文系、香港科技大学人文学部、美国得克萨斯大学亚洲研究系,获博士学位,主要研究方向为20世纪中国现当代文学和文化。现任厦门大学教授,“孔子新汉学汁划”博士生导师,教育部“新世纪很好人才计划”入选者。在《文学评论》、《文艺研究》、《中国现代文学研究丛刊》、《中国文学研究》、《现代中文学刊》、《汉语言文学研究》、《文艺理论研究》、《文艺理论与批评》,以及Comparative Literature Studies,Journal of Contemporary China,Harvard AsiaQuarterly,Stanford Journal of East Asia Affairs,Australasian Journal of&nnull
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Introduction Part 1.Realism Unbounded Chapter One A Homeless Soul and a Misplaced Nostalgia Exiled Experience and Xiao Hong's Diasporic Literature Chapter Two From Feminist to Party Intellectual? Identity Politics and Ding Ling's "New Women Stories" Part 2.Romanticism, Modernism, or Modern Literati's Novel? Chapter Three An Alienated Mind Dreaming for Integration:Constrained Cosmopolitanism in Wumingshi's "Modern Literati Novel" Chapter Four Illusionary Cosmopolitanism and Flawed Humanity:A New Interpretation of Xu Xu's "Modern Tales of the Strange" Part 3.Cross—Cultural Transaction in "Boudoir Stories" Chapter Five Eileen Chang's Cross—Cultural Writing and Rewriting in Love in a Fallen City Chapter Six Matrimonial Complex and Identity Anxiety:Eileen Chang's "Boudoir Stories" and the (Im—)Possibility of Modern Chinese Bourgeoisie Part 4.Narrative Strategy under Middle—Class Consciousness Chapter Seven Double Pitfalls for Chinese "New Women":Mei Niang's Fictional Narrative of the Colonial Society Chapter Eight Making a Historical Fable:The Narrative Strategy of Lust, Caution and Its Social Repercussions Part 5.Peasants' Habitus and "National Form" Chapter Nine "Problem Stories as Part of the National Form:"Rural Society in Transition and Zhao Shuli's Peasant Stories Chapter Ten From "Use of Old Forms" to "Establishment of a National Form'.A Re—Evaluation of Mao's Agenda of Forging a Cultural—Political Nation Conclusion Some Thoughts on the Origin of Modern Chinese Literature References